备注：已完结
类型：科幻片
主演：Circus-Szalewski Geena Alexandra Wi
导演：Aaron Silverstein
语言：英语
年代：未知
简介：An alien consciousness, sent to Earth to spy on one of its own kind, learns what it means to be human.
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类型：剧情片
主演：David Chokachi 蒂亚·卡雷尔 Meghan McLeod
导演：弗雷德·奥伦·雷
语言：英语
年代：未知
简介：Kate Parks has spent the past year on tour promoting her book, an in-depth look at the attempted cover up of her husband's death in a plane crash. Now all she wants is to return home to her daughter, 15-year-old Samantha. But when a powerful solar flare strikes her flight home, killing the pilot, knocking out the co-pilot and frying all the electronic systems on the plane, it l...
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类型：欧美剧
主演：沃伦·布朗 Max Johnson Deborah Bouchard
语言：英语
年代：未知
简介：The Gathering will centre around a violent attack on a teenage girl during a rave on a tidal islet. Set on Merseyside, the drama focuses on a group of teens from disparate backgrounds, each of whom could have committed the crime, along with their parents
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类型：剧情片
主演：Colleen Porch Aiden Kersh 里奇·卡尼佩 Se
导演：Lars Jacobson Amardeep Kaleka
语言：
年代：未知
简介：在一座远离喧嚣都市的僻静山村，生活着一个普通6口家庭。小男孩吉米（Ridge Canipe 饰）周游在乡村各个角落，体会大自然的快意，间或帮助父母照顾山米（Holden Thomas Maynard 饰）、凯希（Kali Majors 饰）、纳森（Aiden Kersh 饰）这三个弟妹。他们的父亲（Joel Bryant 饰）是一个卡车司机，粗线条的男人自然很难感知妻子的辛劳。留守家中的母亲（Colleen Porch 饰）必须照顾一家人的起居用行，枯燥无聊且压力巨大的生活让这个女人的精神濒临崩溃。直到某天，悲剧终于在这个家中发生了。襁褓中的小内森通体冰冷，愤怒的妈妈又试图溺死凯希。 曾经温柔可亲的妈妈化身为恶魔，懂事善良的吉米该如何保护弟弟妹妹们呢……
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类型：恐怖片
主演：Marshall Thompson Shirley Patterson
语言：英语
年代：未知
简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
