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类型：泰剧
主演：查克利·彦纳姆 婉娜拉·宋提查 克里塔奈·阿萨普拉奇 普明·丹萨优 普
语言：其它
年代：未知
简介：Vill饰演一位假扮后妈，使用奇妙“仙法”融入三个孩子，同时与大叔男主上演一段美妙爱情，当漂亮又犀利的“假后妈”遇上变装怪人的真爸爸，搞笑的爱情故事就要发生啦！美Vill的新剧终于要播啦[太开心]期待很久啦，一定要追！
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类型：动作片
主演：rmand Assante 彼得·奥图尔 迈克尔·马德森 Kanat
语言：英语
年代：未知
简介：Only one lusted glance brings Aliya to the events throwing her into the criminal ocean. But in the wirliging of passions and turmoil when she finds herself at the verge of fatality it's only her true love that is the only rescue.Now the most important thing for Aliya is to preserve the honor and dignity and the whole world will be at our feet.
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类型：艺术片
主演：Joo-bin Park Min-Cheol Kim Tae-Kwan
语言：
年代：未知
简介：敏哲和他的朋友广泰一起去了乡村养恤金，专注于一个启动项目，在那里，他遇到了剧情作家Gyuri，他一直在写作。这两个男人和女人致命相爱并度过了一个炎热的夜晚，但Gyuri第二天突然消失了……敏哲又能找到适合她的人吗？
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类型：泰剧
主演：Tham morrat Janngarn Tae Chaypat Ko
导演：未知
语言：其它
年代：未知
简介： 故事围绕一个一年级学生暗恋一个男人，直到有一天他有机会接近他 The story focuses on a first-year student secretly in love with a man until one day he has the opportunity to get close to him
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类型：剧情片
主演：Heinrich Hargesheimer Carlheinz Har
语言：其它
年代：未知
简介：The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich B?ll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert F?hmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation F?hmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
