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类型：科幻片
主演：David Tennant David Morrissey Dervl
导演：Andy Goddard
语言：英语
年代：未知
简介：The TARDIS lands in London on Christmas Eve, 1851 and almost immediately the Doctor hears his name being called. When he meets the woman shouting for him she fails to recognise him and continues calling until another man arrives and claims to be the Doctor and acknowledges the woman, Rosita, as his companion. The Doctor then attempts to help the newcomer lasso a man-size dog-li...
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类型：动作片
主演：安德鲁·萨瓦特基Andrea Sawatzki 伊果·诺约克斯Ingo
语言：其它
年代：未知
简介：九岁的尼古目睹了一起谋杀案.因为尼古的单身母亲科拉在和一名警察约会,所以她把她那极其烦恼的儿子托给朋友彼得.但是尼古不愿意说,因为被害者临死前求他不要找警察.开始科拉和彼得怀疑小男孩说的是否属实.但当被害者被找到,而且就是彼得警署的同事时,他们相信了他并不是在编故事.负责调查工作的是巴赫警官.他有一个非常私人的原因要在尼古描述出谋杀者的长相之前找到他.因为那个人正是巴赫本人.当巴赫差点就要杀了尼古和科拉时,他们得到了彼得的帮助.他把他们藏到了他父亲乡下的房子里.但就在他们刚到不久,科拉发现巴赫的人正在找他们母子.难道她相信了不该相信的人
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类型：科幻片
主演：弗农·威尔斯 西蒙·飞利普斯 Anne-Carolyne Binett
语言：英语
年代：未知
简介：Two scientists uncover a meteorite impact site in the Arctic tundra, but it kills one scientist and infects the other. A nearby base takes in the lone survivor whilst trying to understand what happened. The lone survivor may not be the person they think she is.
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类型：爱情片
主演：保罗·特尔弗 伊丽莎白·帕金斯 西恩·奥斯汀 Leeanna Wals
语言：
年代：未知
简介：赫拉克勒斯是希腊神话中伟大的英雄，他是宙斯与阿尔克墨涅之子。阿尔克墨涅是珀耳修斯的孙女，底比斯国王安菲特律翁的妻子。安菲特律翁也是珀耳修斯的孙子，是泰林斯国王，但后来离开了那个城市，移居底比斯。阿尔克墨涅惧怕赫拉诅咒，多番让赫拉克勒斯身处险境，而小赫拉克勒斯却平安无恙。长大后他神勇无比，完成了十二项英雄伟绩，包括杀掉涅墨亚的狮子，杀掉斯廷法罗斯湖怪鸟，打败安泰巨人，被升为武仙座。此外他还参加了阿尔果斯远征帮助伊阿宋觅取金羊毛，解救了普罗米修斯等。本片讲述了有关他英勇无畏，敢于斗争的故事。
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类型：科幻片
主演：Erin Boyes Chilton Crane Colin Cunn
语言：英语
年代：未知
简介：1831年，北美洲某个偏僻的山谷村落，这里流传着一个古老的习俗。每到夏末节（10月31日）当天，村中要将所有不洁净的东西烧掉，其中便包括一个尚在襁褓中的婴儿。婴儿的母亲悲痛欲绝，眼睁睁看着宝贝被投入火中，于是愤而对村民做出诅咒，“每逢夏末节，村中的孩子便会被杀死。”接着这个恶毒的诅咒，邪恶的妖精从火中诞生。 约180年后的今天，中年男子尼尔·珀金斯（Gil Bellows 饰）载着妻子凯特（Camille Sullivan 饰）、女儿尼基（Tracy Spiridakos 饰）、女儿的朋友以及嗷嗷待哺的儿子南森前往万圣谷绿林路一处住所度假。刚一进村他们便受到一个醉汉的警告，然而却没人将其放在心上。次日，万圣节来到，沉睡于此的妖精重返人间……
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类型：科幻片
主演：格兰特·鲍尔 Grant Bowler 凯丝琳·蒙露 Kathleen
语言：英语
年代：未知
简介：In a dilapidated cyberpunk city plagued by crime and corruption, an unscrupulous District Attorney is savagely murdered and tossed out of a building onto his brand new car. Mysteriously, the District Attorney and his car come back to life as a single being with a thirst for vengeance. The eerie driverless car embarks on a vicious rampage exacting revenge on the criminals who mu...
备注：已完结
类型：剧情片
主演：Anna Neagle Anton Walbrook C. Aubre
语言：英语
年代：未知
简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
