备注:已完结
类型:泰剧
主演:Kitty Nunthaphuk Aranyakasemsuk 饰 C
导演:亦可未知
语言:泰语
年代:未知
简介: 本剧为泰国全新短篇GL爱情剧集。一名常年独自生活、不善恋爱的推理女作家,为了能够创作全新恋爱题材小说,特意来到限时体验恋爱的租爱实验室。在这里遇见性格各不相同的女孩,开启一段段温柔暧昧、甜蜜治愈的限时恋爱故事。
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类型:恐怖片
主演:Rana Audi Marissa 罗伊·松科诺 Michelle T
语言:印尼语
年代:未知
简介:Rani, a female police officer who handled a murder case in the restricted forest where she served. This case involved Tamara, a vlogger horror who was a victim of the chancel culture of the netizens due to being caught uploading a fake sighting video. Knowing the legendary story of the Devil's Market, Tamara and his team then went on a journey to find the Devil's Market to prove its existence and restore their good name. Problems arose when Tamara discovered the restricted area, but instead of being able to correct a good name, they were instead trapped inside it.
备注:已完结
类型:剧情片
主演:克劳迪奥·桑塔玛利亚 索尼娅·贝加马斯科 安娜·费泽蒂 马西米利亚诺·
语言:意大利语
年代:未知
简介: 影片改编自真实故事。2005年,意大利特工尼古拉·卡利帕里在巴格达被美军“误杀”,当时他正护送被恐怖组织囚禁的记者朱莉安娜·斯格雷纳返回安全地带。影片在紧凑克制的节奏中,展现了卡利帕里如何在战火与谍影交错的局势中周旋于外交博弈、敌对势力和自己国家内部权力角力之间,并在最后三十分钟升级为一场扣人心弦的人质营救战。在罗马与巴格达之间,谈判过程中的每一个转折,都与国际局势和各股力量有着千丝万缕的联系,影片作品不仅还原了一段迅速被遮掩的历史,也揭示了战争年代中敌与友的模糊界限,以及在全球政治迷雾中个人勇气与牺牲的真正意义。
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类型:记录片
主演:迭戈·卢纳 卡拉·索萨 丹尼尔·希梅内斯·卡乔 Guillermo V
导演:加布里埃尔·利普斯坦
语言:西班牙语,英语
年代:未知
简介:马丁·德拉托雷(Martín de la Torre)的混乱故事,他找到了一种上升到顶峰的方法,并以任何必要的方式将1986年世界杯带到了墨西哥。
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类型:喜剧片
主演:罗伯特·德尼罗 杰瑞·刘易斯 戴安娜·阿伯特 桑德拉·伯恩哈德 艾德·
导演:马丁·斯科塞斯
语言:英语
年代:未知
简介: 痴迷脱口秀笑话表演的鲁帕(Robert De Niro 饰)梦想自己也能站在舞台上享受观众的欢呼,借疯狂粉丝玛莎(Sandra Bernhard 饰)创造的机会,鲁帕得以和脱口秀明星杰瑞交谈,鲁帕踌躇满志的自我介绍,虽然杰瑞敷衍了事,但鲁帕仍视自己为杰瑞的好友。为了能在心爱的丽塔面前出人头地,鲁帕不惜一些代价要获得与杰瑞同台表演的机会,另一方面杰瑞被鲁帕的纠缠搞到忍无可忍,将鲁帕与并不知情的丽塔赶出家门。杰瑞的行为激怒了鲁帕,他与玛莎合作绑架杰瑞,威胁电视台播放自己的表演,鲁帕终于如愿以偿,掀起一场轩然大波…… 本片获1984年英国电影学院奖最佳剧本奖,1984年伦敦影评人协会奖年度电影奖,1984年全美影评人协会奖最佳女配角奖。
备注:已完结
类型:剧情片
主演:Choi Eun-Hee Byeon Ki-Jong Yoo Min
导演:尹龙奎
语言:韩语
年代:未知
简介:Synopsis Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her. Notes A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea. A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles. Afterword - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.