备注：已完结
类型：欧美剧
主演：Adélio Lima Arthur Canavarro Pedro
语言：葡萄牙语
年代：未知
简介：乌巴尔多继承的遗产将永远改变他的命运。在西北沙漠的中心，他将成为一群无情的强盗的首领，完成他的生父——神话中的“坎加塞罗”的遗产。
备注：已完结
类型：剧情片
主演：琳娜·库德里 亚辛·侯伊卡 Shirine Boutella Amir
导演：马尼亚·梅杜尔·根斯
语言：法语,阿拉伯语
年代：未知
简介：90年代在阿尔及利亚，18岁的女大学生娜吉玛热衷于时尚设计，她不愿因阿尔及利亚内战而影响她的正常生活，白天是倡导自由平等的普通学生，晚上则和闺蜜们一起出游玩乐。但随著社会风气变得愈来愈保守，她拒绝接受国家激进派订定的新禁令，在经历一段悲剧之后，决定为这国家的种种不平等奋斗，破天荒举办阿尔及利亚史上第一场时装展。
备注：已完结
类型：欧美剧
主演：佐伊·索尔达娜 妮可·基德曼 摩根·弗里曼 蕾斯拉·德·奥利维拉 马修
语言：英语
年代：未知
简介： 本剧基于一个真实的CIA项目，在该项目中，女性被训练来渗透恐怖组织和犯罪网络。故事讲述Cruz Manuelos，一名经验不足但充满热情的海军陆战队士兵，她被CIA招募加入了「母狮」战斗小队，试图从内部瓦解一个恐怖组织。 Joe是一位意志坚强、不屈不挠的女性，CIA「母狮」项目的站长。她负责训练、管理和领导手下的女性特工。
备注：已完结
类型：恐怖片
主演：阿瑞亚·贝得玛 阿尔穆德纳·阿莫尔 Maru Valdivielso
导演：帕科·普拉萨
语言：西班牙语
年代：未知
简介： The film tells the story of how, in post-war Spain, Narcisa (played by Aria Bedmar), a novice with supernatural powers, arrives at a former convent, now a school for girls, to become a teacher. As the days go by, the strange events and increasingly disturbing situations that torment her will eventually lead her to uncover the terrible web of secrets that surround the convent and haunt its inhabitants.
备注：已完结
类型：剧情片
主演：Jay Chandra Johnson D M Jayateertha
导演：Swaroop Rsj
语言：泰卢固语
年代：未知
简介：The adventures of three young boys, who want to capture India's most-wanted fugitive Dawood Ibrahim.
备注：已完结
类型：剧情片
主演：Fatin Afeefa Farah Ahmad 亨齐·安达拉斯 Ch
语言：其它
年代：未知
简介： Based on true events that happened in Singapore in April 1958. The studio workers of Shaw Brothers are on strike for better pay and to support workers who have been sacked, they organised a variety show to collect funds and donations. During the show, Malaysian film legend P Ramlee and his best friend Jamil Sulong wrote an iconic Raya song (Festival song) that is still sung today during the Raya Festival of Eid every year. Four other stories and sub-plots help the movie move forward.
备注：已完结
类型：剧情片
主演：Ahmed Awadalla Nadim Bahsoun Hassan
导演：穆罕默德·肖基·哈桑
语言：其它
年代：未知
简介： A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
