备注:已完结
类型:剧情片
主演:布拉德·戴维斯 弗兰科·内罗 让娜·莫罗 洛朗·马莱 汉诺·波西尔 君
导演:赖纳·维尔纳·法斯宾德
语言:英语
年代:未知
简介: 一艘船停泊在布瑞斯特港,船上有个名叫奎雷尔的英俊水手(布拉德·戴维斯 Brad Davis 饰)。他被船上少校赛隆(弗兰克·尼洛 Franco Nero 饰)暗暗迷恋着,还和船长罗伯特(汉诺·波西尔 Hanno Pöschl 饰)保持暧昧关系;他勾搭当地酒吧老板诺诺(冈瑟·考夫曼 饰),主动在色子游戏里输给他以便和他发生关系;他贩毒,还杀掉了同伙,警察马里奥(伯克哈德·德里斯特 Burkhard Driest 饰)盯上了他,又迷上了他;年轻人吉尔(汉诺·波西尔 Hanno Pöschl 饰)也爱上了他,还被他嫁祸杀人罪名;诺诺的妻子吕西娜(让娜·莫罗 Jeanne Moreau 饰)也对他兴趣满满…… 英俊的奎雷尔,狠心的奎雷尔,谁也说不清他到底爱谁,谁都甘愿做他手里的棋子,塞隆上校看着一切,知晓一切,每天对着录音机讲述自己的爱慕之情……
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类型:恐怖片
主演:Kate McNeil Eileen Davidson
导演:Mark Rosman
语言:英语
年代:未知
简介: 1983年,某学校的女子联谊会。凯蒂•罗斯(Kate McNeil 饰)等一众青春女孩即将毕业,她们和宿舍的管理员斯雷特夫人(Lois Kelso Hunt 饰)夫人的关系不是很好。借此机会,她们决定戏弄一下这个古怪的老太婆,然而却无意中将其杀害。女孩们并未选择报警,在维姬(Eileen Davidson 饰)的提议下,她们将斯雷特夫人的尸体沉入游泳池池底。 次日,联谊会如期举行,女孩们强颜欢笑,试图忘记前一天发生的一切。然而错误的选择扭转了命运的走向。斯雷特夫人的怨念并未散去,就在当晚,恐怖的杀戮接二连三发生了……
备注:已完结
类型:欧美剧
主演:艾米莉·布朗宁 Megan Smart 凯特琳·斯塔西 Claire
导演:Kacie Anning
语言:英语
年代:未知
简介: 一群曾经的女高学生,十年后再次相聚在校园。谁知大浪袭来,世界瞬间变为末日汪洋。这群昔日同窗被困在校园之巅仅存的立足之地,尝试求生的同时纠缠在彼此的十年旧账中。
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类型:喜剧片
主演:Caren Kaye Matt Lattanzi Kevin McCa
语言:英语
年代:未知
简介: School's out...But Bobby's education has just begun. Bobby has had trouble with French at school and so his rich parents hire a winsome 30-year-old tutor to help him with the first subject. The father is not exactly subtle about his interest in the tutor, but the woman prefers his much more sensitive son.
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类型:剧情片
主演:马库·托伊卡 艾诺·塞波 埃斯科·尼卡里 汉努·劳里 奥利·图奥米宁
导演:阿基·考里斯马基
语言:其它
年代:未知
简介: 陀思妥耶夫斯基的文学名著曾多次搬上银幕,本版把它搬到当今的赫尔辛基。主角是一个曾经学过法律的屠宰场工人(跟咱们的北大肉店老板似的),三年前女友被车撞死,司机逃逸。如今,他发现了肇事者,并将他杀死。有一个女子知道他的杀人真相和他的身份,但并没有告发他,而是跟他陷入一桩没有前途的恋爱关系... 作为文学片,本片并不忠实,但它逼真地再现了原作的压抑和阴郁,人物刻画很少感情色彩,很多细枝末节被舍弃,只留下主要人物的眼神和动作,堪称简约主义风格之作。《罪与罚》有1935年的美国版,总体水准不高,但不乏新意;1958年的法国版把剧情搬到了巴黎,后改名《最危险的罪》;1959年的美国新版也作了更新,讲一个学法律的学生涉入抢劫谋杀等罪案。1969年的苏联版长达3小时20分钟,更贴近原著;2002年的英国电视剧版是另一个以忠实再现见长的版本。--正太猫
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类型:恐怖片
主演:Peter Voß Friedrich Kayßler Alice B
导演:Carl Lamac
语言:其它
年代:未知
简介: A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp. Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain. This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming. One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played. - JohnHowardReid, imdb