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类型：喜剧片
主演：凯文·赫夫南 杰夫·蔡斯 卡拉·盖洛 保罗·索特 迈克尔·奇克 奈特·
语言：英语
年代：未知
简介： 克里昂（迈克·克拉克·邓肯 Michael Clarke Duncan 饰）曾经是一名脾气火爆的重量级拳击冠军，退役后开了一家拳王餐馆，他的凶悍作风让员工们都闻风丧胆，不敢造次。然而在一次日本白化动物猎捕活动上，克里昂与一位日本人打赌谁捕得多，结果却输得一塌糊涂，并要在第二天交出两万块，否则餐馆将被接管。要在一夜之间赚够两万块简直不太可能，要知道餐馆销售最高周记录也不超过一万五美金，为了免遭克里昂的铁拳惩罚，可怜的服务员们开始绞尽脑汁，使尽浑身解数，誓死掏空客人钱包……
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类型：动作片
主演：Tony Todd Clifton Powell Miguel A.
语言：英语
年代：未知
简介：Ricky, a top contender in Muay Thai Kickboxing trains for the title belt, all the while dealing with new relationships, money problems, and family drama.
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类型：记录片
主演：Stephen Corrall Charlie Ives John A
导演：Sam Benstead Gareth Johnson
语言：英语
年代：未知
简介： 在这部令人痛心的纪录片中，一个冷酷无情的骗子伪装成英国间谍，操纵并窃取受害者的财产，破坏了许多家庭
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类型：科幻片
主演：克里斯托弗·李 彼得·库欣 阿尔维托·德·门多萨 西尔维娅·托尔托萨
导演：欧亨尼奥·马丁
语言：西班牙语,英语
年代：未知
简介：英国人类学家克里斯（克里斯托弗·李 Christopher Lee 饰）在中国东北地区发现一个冷冻的人型怪物，并将它带上前往欧洲的列车。然而，在半途中，这个怪物解冻并开始猎杀列车上的乘客，吸取他们的脑浆，导致了恐怖的场面。 尽管车上有军队介入并成功杀死了怪物，但它的意识却转移到了另一个人的身体上，导致杀戮继续。更加可怕的是，它还能够将已经死去的人复活并变成活死人来为它效命。面临如此绝望的局面，幸存的乘客们决定采取极端措施，销毁火车，以终结这一恐怖事件。故事展示了人类在面对未知和恐怖时的极端反应，以及他们为生存而采取的极端行为。
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类型：喜剧片
主演：帕特里克·泽勒 Matt Pascua 亚历克·马帕 亚历姗卓拉·保罗
导演：Stewart Wade
语言：英语
年代：未知
简介：Drama. A year after the death of their beloved Lily, Beau and Caden learn that she froze some of her eggs and they must decide whether they are ready to take the next step in their relationship and become parents. This is a sequel to the 2019 movie "Say Yes."
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类型：欧美剧
主演：David Sutcliffe Brooke Nevin Luisa
语言：英语
年代：未知
简介： After an embarrassing and meijubar.net public breakdown, Detective Aidan Black (David Sutcliffe) is reassigned from his beloved SWAT team to the newly created Psych Crimes and Crisis Unit. There, he's dismayed to find his partner is not another cop, but forensic psychiatrist, Dr. Daniella Ridley (Stefanie von Pfetten). The unit also includes Detective Poppy Wisnefski (Luisa d'Oliveira) and psychiatric nurse Leo Beckett (Dayo Ade), with Inspector Diane Caligra (Karen LeBlanc) keeping a close watch over the unique partnerships. Passionate and opposing viewpoints are an inherent part of the job in Psych Crimes, and the answers the teams seek never come easy. Aidan's deep insight and investigative skills combine brilliantly with Daniella's keen ability to decipher human behaviour. Learning to work cohesively, the Psych Crimes and Crisis Unit investigates city's most troubling and psychologically complex crimes. Whether or not the unit is still around in a few months...
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类型：剧情片
主演：珍妮·艾加特 布莱恩·马歇尔 Clare Sutcliffe 西蒙·沃
导演：大卫·格瑞尼
语言：英语
年代：未知
简介：The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
