备注：已完结
类型：动作片
主演：肖恩·宾 丹尼·戴尔 鲁伯特·弗兰德 西恩·哈里斯 连尼·詹姆斯 鲍勃
导演：尼克·拉夫
语言：英语
年代：未知
简介：在英国伦敦，暴力犯罪行为像腐败的霉点一般不时在城市中萌发生长。新婚的公司白领职员德克（Danny Dyer 饰）在路上遭遇几个流氓的莫名骚扰，被对方毒打的德克却毫无办法挽回失去的尊严；退役军人丹尼（Sean Bean 饰）回到家中，迎接他的却是妻子和另一个男人共处的情景；律师曼洛因为审判一名犯人而使家人遭遇威胁，最终怀孕的妻子被人杀死在家中……不堪忍受在生活中被压抑被伤害的丹尼组织被歹徒毁容的青年、公寓保安以及德克、曼洛、曼洛的司机沃尔特（Bob Hoskins 饰），他们六人组成了一支法外之徒的部队，开始用自己的方式惩罚大都市中的肮脏犯罪，在警方与罪犯之间，他们流走在深渊的边缘……
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类型：剧情片
主演：Kaisa Gurine Antonsen Lars Arentz-H
语言：挪威语
年代：未知
简介：一次意外 姐弟三人被困在斯匹次卑尔根岛上，他们在与世隔绝的环境里要生存下去，同时还与北极熊成为了朋友。
备注：已完结
类型：剧情片
主演：Kaisa Gurine Antonsen Lars Arentz-H
语言：挪威语
年代：未知
简介：一次意外 姐弟三人被困在斯匹次卑尔根岛上，他们在与世隔绝的环境里要生存下去，同时还与北极熊成为了朋友。
备注：已完结
类型：剧情片
主演：萨拉·韦斯格拉斯 格雷格·布瑞克 Sadie Laflamme-Sno
语言：英语
年代：未知
简介：A teenage girl's wilderness hike with friends spirals after they stumble upon a crashed drug plane, forcing her to outwit a ruthless gang and face an enemy far worse than drug smugglers.
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类型：动作片
主演：Mary Christina Brown Victoria Floro
导演：Sam Gorski 尼科·普金格
语言：英语
年代：未知
简介：财大气粗的Altracorp公司在英属哥伦比亚省静河附近的一个无人小岛秘密进行一项生化实验，虽然遭到美国民众的一致反对，但是凭借其高超的公关手段以及政府的暗中支持，该实验仍在继续。然而一则令Altracorp头疼的消息传来，该小岛上的实验似乎发生差错，所有研究人员全部下落不明。为了找到生还者，查明失踪原因，公司派出由雷蒙德·华（Zero Kazama 饰）、瑞雪·甘特（Mary Christina Brown 饰）、苏菲·米勒（Victoria Floro 饰）、艾伦·崔斯坦（Rob O'Brien 饰）以及维尔·凯恩（Jai Koutrae 饰）5人组成的救援小组，开赴那个与世隔绝的神秘小岛。 登陆不久，队员们便找到一名失踪的研究人员，但是本已中弹倒地的生还者竟化作一团充满不祥气息的黑雾扑向了救援小队……
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类型：科幻片
主演：弗农·威尔斯 西蒙·飞利普斯 Anne-Carolyne Binett
语言：英语
年代：未知
简介：Two scientists uncover a meteorite impact site in the Arctic tundra, but it kills one scientist and infects the other. A nearby base takes in the lone survivor whilst trying to understand what happened. The lone survivor may not be the person they think she is.
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类型：剧情片
主演：Anna Neagle Anton Walbrook C. Aubre
语言：英语
年代：未知
简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
