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类型：剧情片
主演：Juan Acosta César Antonio Isabella
语言：西班牙语
年代：未知
简介：离婚后的奥尔加带着女儿搬到了一栋新房子，开始了新的生活。起初，她们并没有察觉到房子里发生的怪事，直到奥尔加在阁楼上发现了一个连环杀手的日记，这一发现危及到她和她身边之人的性命。
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类型：剧情片
主演：Kaisa Gurine Antonsen Lars Arentz-H
语言：挪威语
年代：未知
简介：一次意外 姐弟三人被困在斯匹次卑尔根岛上，他们在与世隔绝的环境里要生存下去，同时还与北极熊成为了朋友。
备注：已完结
类型：剧情片
主演：Kaisa Gurine Antonsen Lars Arentz-H
语言：挪威语
年代：未知
简介：一次意外 姐弟三人被困在斯匹次卑尔根岛上，他们在与世隔绝的环境里要生存下去，同时还与北极熊成为了朋友。
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类型：剧情片
主演：Anapela Polataivao Antonia Robinson
语言：英语,萨摩亚语
年代：未知
简介：When grief-stricken Mareta (Anapela Polataivao) takes a substitute teaching role at an elite prep school, she forms a choir to unite the privileged yet disconnected students. As they prepare for an all-school competition, her passion for life is reignited, transforming her students forever in this rousing crowd-pleaser.
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类型：战争片
主演：基里尔·波卢欣 Kirill Polukhin 奥列格·阿巴林 Dmi
导演：马克西姆·布里乌斯
语言：俄罗斯
年代：未知
简介：Russian sociologist Maxim Shugalei and his colleague interpreter Samer Suifan are still imprisoned in a Libya. For more than a year now they tortured and psychologically abused. Nevertheless while imprisoned, Maksim Shugalei continues to work trying to understand the logic of the global terrorism actions. Collected by the sociologist information is dangerous for the Lybian mili...
备注：已完结
类型：喜剧片
主演：Susana Alexander José Carlos Rodríg
语言：其它
年代：未知
简介：今年祖母决定和往年一样，一大家子在家里一起为自己过生日。到场的宾客有自己的儿子：一位50岁左右酗酒的熊孩子，他计划带自己的新女友来见家人。还有4个孙子辈以及他们的另一半。没想到不能接受的人竟是老爸，他反思自己的一辈子，认为自己不是名合格的父亲，害怕自己在养育这个孩子的时候依旧会犯下同类错误，对孩子造成伤害。这时，孩子们表示他们会无条件的爱戴他，因为他是父亲啊。在老爸的坦诚中，大家都反省了自己的缺点，包括祖母也改变了自己对其他人的态度。在全家人的掌声中，老爸向女友求了婚，祖母...
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类型：科幻片
主演：诺埃尔·克拉克 科林·奥多霍诺 Antonia Campbell-Hu
导演：约翰内斯·罗伯茨
语言：英语
年代：未知
简介：毫无征兆的一天，一架军用运输机坠毁在英国伦敦市中心的海德公园附近。这起事故在伦敦引起不小的混乱，而谁也没想到它所装载的最高军事机密将给当地人造成怎样的危害。城市的另一端，人们似乎并不太关心这起事故的前因后果，愤怒的查理（Noel Clarke 饰）和好友马克（科林·奥多霍诺 Colin O'Donoghue 饰）正驱车前往24号仓库寻找女友雪莉（Antonia Campbell-Hughes 饰），此前查理和雪莉不欢而散，情感陷入僵局。当他们面对面争吵理论之际，仓库内的电力突然中断，所有人都被困在这座黑暗的承包之中。 更令他们不敢相信的是，某种神秘而恐怖的生物盘桓期间，时刻准备夺取这些人的性命……
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类型：剧情片
主演：Anna Neagle Anton Walbrook C. Aubre
语言：英语
年代：未知
简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
